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Este é um abrangente método que mostra como construir linhas de baixo de jazz de uma maneira mais criativa e eficiente. Indicado para baixistas de nível avançado, este livro mostra o processo de criação de walking bass, linhas de baixo em ¾, baladas, modal e slash chord e muito mais. Cada capítulo traz diversos conceitos avançados e novas idéias, acompanhados de exemplos transcritos e extraídos de grandes mestres do jazz no contra baixo.
Advance Music
Sinopse Original:
This is a comprehensive approach to the construction of improvised bass lines. Intended for professionals, the book deals with playing in "2", creating walking bass lines, 3/4 time, using a "broken feel", modal and slash-chord harmony, ballads, and much more. Each chapter is full of fundamental and advanced concepts and ideas, accompanied by transcribed examples from the masters of jazz bass playing. Mike Downes is currently the head of the bass departement at prestigious Humber College in Toronto. He is much in demand as a clinician, and he continues to be one of the most sought bassists in Canada.
Mike Downes is one of Canada's most gifted bassists, he has put together a masterpiece with his book about jazz bass. This book succeeds well as an instruction approach for jazz bass performers. It is the type of articulate book a performer can rely on, and come back to often.
Following the introduction and glossary, there are fourteen chapters. The book contains an appendix which covers essential jazz standards, listening list, and transcription reference. A concise section about the author concludes this fine book.
A comment on the appendix item of essential jazz standards -- it is accurate and interesting. The song titles listed should be on any jazz bass player's list to know and perform!
Chapter 1 covers in-depth various techniques related to bass lines and Chapter 2 covers the topic of minor blues. Each chapter will give useful information with a direct, hands-on approach. Chapter 14, "Putting It Into Practice" and "Time Feel" are great insights shared by the author, and will intrigue the reader with their honesty and helpfulness.
This book should find a ready and welcome home among those who play jazz bass, or want to learn. It is well-written, clear, and entertaining as an instruction book for jazz bass.