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Bom Dia Bem-Vindo a Freenote, Login ou Crie sua conta
Bom Dia Bem-Vindo a Freenote, Login ou Crie sua conta
Bom Dia Bem-Vindo a Freenote, Login ou Crie sua conta
Designed for pianists who are moving into early intermediate to intermediate levels of study, this book features three sections. The first section includes études for the development of specific skills. The second section features selected Hanon exercises. Reference pages for scales, arpeggios, and cadences make up the final section. The book is especially useful for college and university piano students who are not piano performance majors (secondary pianists).
Designed for pianists who are moving into early intermediate to intermediate levels of study, this book features three sections. The first section includes études for the development of specific skills. The second section features selected Hanon exercises. Reference pages for scales, arpeggios, and cadences make up the final section. The book is especially useful for college and university piano students who are not piano performance majors (secondary pianists).
| Title | Composer |
| A Major | |
| A Minor | |
| A-flat Major | |
| Alberti Bass Accompaniment | |
| Arpeggios | |
| Articulation | |
| B Major | |
| B Minor | |
| B-flat Major | |
| B-flat Minor | |
| Broken-Chord Accompaniment | |
| C Major | |
| C Minor | |
| C-sharp Minor | |
| Chromatic Scales | |
| Coordination between the Hands | |
| Cross-Overs | |
| D Major | |
| D Minor | |
| D-flat Major | |
| Double Thirds and Sixths | |
| E Major | |
| E Minor | |
| E-flat Major | |
| E-flat Minor | |
| F Major | |
| F Minor | |
| F-sharp Minor | |
| Finger Independence | |
| Five-Finger Patterns | |
| G Major | |
| G Minor | |
| G-flat Major | |
| G-sharp Minor | |
| Grace Notes | |
| Left-Hand Development | |
| No. 1 | |
| No. 10 Prelude | Henri Bertini |
| No. 2 | |
| No. 5 | |
| No. 6 | |
| Octaves | |
| Op. 100, No. 23 | Johann Burgmüller |
| Op. 101, No. 62 | Ferdinand Beyer |
| Op. 101, No. 65 | Ferdinand Beyer |
| Op. 101, No. 74 | Ferdinand Beyer |
| Op. 101, No. 80 | Ferdinand Beyer |
| Op. 101, No. 81 | Ferdinand Beyer |
| Op. 101, No. 84 | Ferdinand Beyer |
| Op. 101, No. 97 | Ferdinand Beyer |
| Op. 108, No. 10 | Ludvig Schytte |
| Op. 108, No. 11 | Ludvig Schytte |
| Op. 108, No. 16 | Ludvig Schytte |
| Op. 137, No. 10 | Henri Bertini |
| Op. 139, No. 42 | Carl Czerny |
| Op. 141, No. 4 | Cornelius Gurlitt |
| Op. 166, No. 11 | Henri Bertini |
| Op. 166, No. 6 | Henri Bertini |
| Op. 17, No. 18 | Felix LeCouppey |
| Op. 17, No. 24 | Felix Le Couppey |
| Op. 17, No. 6 | Felix Le Couppey |
| Op. 176, No. 10 | Jean-Baptiste Duvernoy |
| Op. 176, No. 12 | Jean-Baptiste Duvernoy |
| Op. 176, No. 17 | Jean-Baptiste Duvernoy |
| Op. 176, No. 20 | Jean-Baptiste Duvernoy |
| Op. 176, No. 24 | Jean-Baptiste Duvernoy |
| Op. 37, No. 2 | Giuseppe Concone |
| Op. 37, No. 35 | Antoine-Henry Lemoine |
| Op. 37, No. 5 | Giuseppe Concone |
| Op. 37, No. 6 | Guiseppe Concone |
| Op. 599, No. 45 | Carl Czerny |
| Op. 599, No. 56 | Carl Czerny |
| Op. 599, No. 61 | Carl Czerny |
| Op. 599, No. 65 | Carl Czerny |
| Op. 599, No. 83 | Carl Czerny |
| Op. 61, No. 6 | Theodore Oesten |
| Op. 63, No. 8 | Jean-Louis Streabbog |
| Op. 777, No. 18 | Carl Czerny |
| Op. 82, No. 39 | Cornelius Gurlitt |
| Op. 82, No. 57 | Cornelius Gurlitt |
| Op. 82, No. 65 | Cornelius Gurlitt |
| Op. 82, No. 67 | Cornelius Gurlitt |
| Op. 82, No. 81 | Cornelius Gurlitt |
| Op. 849, No. 29 | Carl Czerny |
| Op. 89, Book II, No. 4 | Hermann Berens |
| Practicing Hanon | |
| Repeated Notes | |
| Scale Groups | |
| Scales | |
| SECTION 1: ÉTUDES | |
| SECTION 2: HANON EXERCISES | |
| SECTION 3: SCALES, ARPEGGIOS, AND CADENCES | |
| Triads and Inversions | |
| Trills | |
| Velocity | |
| Waltz-Bass Accompaniment |
